Re: Forever Young / Alphaville
最後是附帶贈送的
這是AMG對他們他們的首張專輯「Forever Young」的簡評
評分只有三顆星
Alphaville's debut album was an enjoyably simple collection of
synthesizer-driven new wave by the German trio. The group doesn't
come up with a set of consistent material,
but the singles "Big in Japan" and "Forever Young" are classics
of their era. — Stephen Thomas Erlewine
然後四年後他們很快地出了單曲精選集
AMG給了四顆半的高評，
非常有趣的是他們出過得專輯沒有一張超過四顆星過。
一個團的大起大落就這樣用幾個字帶過
1984，我才五歲。
當我第一次聽到這收歌的時候應該是比現在要年輕很多的時候吧。
最後他們是這樣評論這個樂隊的
一個八零年代時期出現的簡單合成器的樂隊
The simple, synth-based Europop of Berlin's Alphaville borrowed heavily
from the textures and drama of Ultravox and was essentially a showcase
for the over-the-top, Bryan Ferry-influenced vocals of Marian Gold; the
early lineup also featured Bernhard Lloyd and Frank Mertens, but membership
fluctuated over most of the group's career. Alphaville had a big European
hit in 1984 with its first single, "Big In Japan," but Gold failed to match
its appeal with most subsequent efforts, in spite of using Tangerine Dream's
Klaus Schulze as a producer.
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