Re: [問題] TV版的製作
※ 引述《Eming (eming)》之銘言：
: ※ 引述《Roshiel (林小毛)》之銘言：
: : 大家都知道攻殼機動隊是士郎正宗原創的(漫畫)
: : 那士郎正宗有沒有參與電影版或TV版的製作啊
: : 還是都是由押井所製作的....
: : 士郎正宗只是提供角色與部分漫畫的劇情
: : 謝謝
: TV版的導演是Kenji Kamiyama
: 摘錄一段Anime Insider雜誌去年9月Robert Bricken寫的Ghost Story
: Deep inside I.G in a small conference room, "SAC" director Kenji Kamiyama sits
: at the head of the conference table and does not try to hide his exhaustion or
: his impatience. The rest of his weary team, sitting slouched around the
: conference table, green tea held listlessly in hand, just look tired.They
: should be working on "ghost's" second season-word is they're getting each
: episode to the network only days before it airs. They simply don't have time
: for interviews.
: Kamiyama has no one to blame but himself. It's his direction of "Stand Alone
: Complex" that has made it a huge success in Japan, necessitating a second 26
: episode season-which proves the show isn't just riding on the laurels of its
: manga and movie predecessors.
: While is its own incarnation of the "Ghost" mythos, Kamiyama admits he and his
: team took "SAC" in a bold new direction-the original one.
: "I wasn't intending to make a totally different kind of project or concept,"
: says Kamiyama, his hands crossed in front of his face like "Evangelion's"
: Gendo Ikari. "We tried to make as close to the original Ghost in the shell
: manga and so we made a lot of effort to present the manga's world and continue
: it as well."
大略翻譯一下
在I.G公司裡的一間小討論室 "攻殼"導演神山健治正坐在討論桌最前頭的位子同時
臉上透露出疲倦和不耐煩 而他的團隊也坐在桌旁神情也是非常的疲倦不堪
這一群人正在討論關於"攻殼第二部TV版"的製作
然而距離公開播放也只剩下幾天 所以他們也沒有多餘的時間接受採訪
神山導演對於攻殼責無旁貸 他導演的"攻殼"已經在日本創下巨大的成功
而接下來的預訂第二部26話的攻殼他想做到不光只是承續之前的攻殼在漫畫還有電影上的
成就
當攻殼"Ghost"神話具體化的時刻 神山承認他和他的團隊已經把攻殼帶向一個顯著的
新方向
"我並不是想要做出一個完全不同的計畫或是概念"神山說這句話時 雙手交錯握著
神情看起來就像是"新世紀福音戰士"裡的碇 源堂司令
神山接下說
"我們嘗試著把第二部儘可能的和攻殼最初漫畫的風格接近 所以花了很大的努力描繪出
漫畫中的世界並且持續它"
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◆ From: 140.113.93.85
※ 編輯: prospect 來自: 140.113.93.85 (04/03 12:52)
※ 編輯: prospect 來自: 140.113.93.85 (04/03 12:53)
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