作者查詢 / monmo
作者 monmo 在 PTT [ Mo-Musume ] 看板的留言(推文), 共567則
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3F→: 你的前提就是鎖定男粉的偶像思維呀 但比如說為什麼NiziU能02/18 10:17
4F→: 成為現象 KPOP在日本的竄紅其實是因為JK們的崇拜跟渲染02/18 10:18
5F→: 我上一篇的意思就是 世界上本來就不只一種偶像的推法02/18 10:18
6F→: 人家也是有賺很多的 你覺得西方人跟東南亞喜歡Blackpink的02/18 10:19
7F→: 人 真正在乎他們戀愛的人會有多少嗎?02/18 10:19
8F→: 我不曉得你有沒有看KPOP 如果沒有可以查一下2NE1跟MAMAMOO02/18 10:20
9F→: 他們確實也是在賣某種類型女孩 但人家是賣表演很棒的女孩02/18 10:21
10F→: 所以這類型的偶像之後要SOLO跟往藝術家類型歌手也簡單多了02/18 10:21
11F→: 在我個人來看 高木跟小田都是有實力成為Solo歌手的偶像出身02/18 10:22
12F→: 但在日本幾乎不會有這種例子 偶像就算SOLO好像一樣只能繼續02/18 10:22
13F→: 偶像 但在KPOP 早有許多偶像能漂亮過渡成實力派歌手02/18 10:23
14F→: 但坦白說，我看很多韓團二線小團，賣沒幾張專輯，MV跟包裝02/18 01:03
15F→: 都還是比U社用心02/18 01:03
23F→: 我能理解也許就是想顧塊小餅活得久就好，只是只想吃既有的02/18 01:09
26F→: 餅，表演再強一樣不會是構成這塊餅的人們優先在乎的東西，02/18 01:09
27F→: 那小田這種實力派也只能繼續感嘆了02/18 01:09
29F→: 想隔壁棚的櫻花，在日本我不看她演出的，在韓團卻會特別看02/18 01:10
30F→: 她的唱跳02/18 01:10
32F→: 比如說EXID去日本發展，我有參加見面會大概不到800人吧，銷02/18 01:11
33F→: 售也不多，但人家日本MV還是看得到用心包裝啊...02/18 01:11
35F→: 不會啦，寫這篇就只是一直有感慨，畢竟我追星從早安開始02/18 01:13
42F→: 現在日本也終於開始改變這一點了，以前哪家是不是偶像都一02/18 01:18
43F→: 樣，認為那些都是要拿來賣錢的資產，結果就是被KPOP靠釋出02/18 01:18
44F→: 演出粉絲衝水管播放數席捲全球02/18 01:18
47F→: 看Maki唱個炎Cover幾百萬點閱...新時代的行銷要改了，H！P02/18 01:20
48F→: 自己從小田x高木的回饋中也應該要有所體悟了02/18 01:20
49F→: 我覺得表演優先吧，畢竟現在優勢是唱跳能力強02/18 01:21
70F推: Twice都開過多少蛋場了哪有可能只是普通，Niziu都賣破40萬02/14 22:42
71F→: 首單了，然後日本反過來找韓國自己主導日韓風是不會成功的02/14 22:42
72F推: 還有U社那種作法，應該說日本偶像團要去中國發展，同樣是02/14 22:45
73F→: 不可能成功的，歷史性民族性的門檻就註定終究會失敗了02/14 22:45
87F推: 其實早安有去韓國試圖發展過呀，但就感覺沒系統沒長期計畫02/15 20:14
88F→: ，跟來台灣一樣02/15 20:14
89F推: 至於日韓合作，現在的U社就不夠力呀，不然老實說我覺得很多02/15 20:17
90F→: H!P如果是在韓國女團出道根本是C位或門面等級，反而在日偶02/15 20:17
91F→: 比較不受見或包裝不吃香02/15 20:17
17F推: 除非是高木自己的選擇，這年頭還有必要這麼極端嗎......好02/12 19:56
12F推: 後藤跟松浦藤本以前都蠻好的啦12/13 22:08
13F推: 然後後藤跟四期普遍也不錯，前幾天才提到Rika跟小夏(也是12/13 22:10
14F→: 直接叫Nacci)，跟Yossi談的來然後Aibon直屬12/13 22:10
20F推: 12萬月薪不太可能吧？08/05 20:56
8F推: 其實光演唱會唱版權就要花不少吧06/25 21:23
14F推: 我一直都覺得她如果在韓國，應該會被包裝成門面或C位，會06/23 09:50
15F→: 比在日本還紅很多，只能說日韓方向不同06/23 09:50
10F推: 她其實想紅也只是為了養家......06/11 22:52
71F→: 田中れいな被志村的新聞嚇到 認真寫了文呼籲大家認真防疫03/30 10:54