[生活] 梅利史翠普2010哥倫比亞演說
You know you don't have to be famous.
You just have to make your mother and father proud of you and you already have.
Bravo to you. Congratulations. -- Meryl Streep
你不必非得成名不可，你只要讓父母親為你感到光榮，就已足夠。
而這一點，你們都已經做到了 -- Meryl Streep
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上面是 Meryl Streep 在哥倫比亞大學巴納德女子學院的畢業典禮的演說片段
中文內容可以看這個
http://www.cw.com.tw/article/index.jsp?page=1&id=41095
金像獎影后梅莉史翠普：這代女孩 不必再裝可愛
作者：整理／吳怡靜 出處：天下雜誌 448期 2010/06
下面是影音 以及英文原文
http://www.youtube.com/watch?v=5-a8QXUAe2g&feature=player_embedded
影片附英文字幕
http://ppt.cc/y9kh
影片+演說全文
FULL TEXT:
Thank you, all. Thank you, President Spar, Ms. Golden, President Tilghman,
Members of the Board of Trustees, distinguished faculty, proud swelling
parents and family, and gorgeous class of 2010. If you are all really, really
lucky, and if you continue to work super hard, and you remember your thank
you notes and everybody's name; and you follow through on every task that's
asked of you and also somehow anticipate problems before they even arise and
you somehow sidestep disaster and score big. If you get great scores on your
LSATS, or MSATS, or ERSATS or whatever. And you get into your dream grad
school or internship which leads to a super job with a paycheck commensurate
with responsibilities of leadership or if you somehow get that documentary on
a shoe-string budget and it gets accepted at Sundance and maybe it wins
Sundance and then you go on to be nominated for an Oscar and then you win the
Oscar. Or if that money-making website that you designed with your friends
somehow suddenly attracts investors and advertisers and becomes the go-to
site for whatever it is you're selling, blogging, sharing, or net-casting and
success shinning, hoped-for but never really anticipated success comes your
way I guarantee you someone you know or love come to you and say, "Will you
address the graduates at my college?" And you'll say "Yeah sure, when is it?
May 2010? 2010? Yeah sure, that's months away and then the nightmare begins.
The nightmare we've all had and I assure you, you'll continue to have even
after graduation, 40 years after graduation. About a week before the due
date, you wake up in the middle of the night, "Huh, I have a paper due and I
haven't done the reading, Oh my god!"
If you have been touched by the success fairy, people think you know why.
People think success breeds enlightenment and you are duty bound to spread it
around like manure, fertilize those young minds, let them in on the secret,
what is it that you know that no one else knows, the self examination begins,
one looks inward, one opens an interior door. Cobwebs, black, the lights
bulbs burned out, the airless dank refrigerator of an insanely
over-scheduled, unexamined life that usually just gets take-out. Where is my
writer friend, Anna Quindlen when I need her? On another book tour.
Hello I'm Meryl Streep, and today, Class of 2010 and I am really, I am very
honored, and humbled to be asked to pass on tips and inspiration to you for
achieving success in this next part of your lives. President Spar, when I
consider the other distinguished medal recipients and venerable Board of
Trustees, the many accomplished faculty and family members, people who've
actually done things, produced things, while I have pretended to do things, I
can think about 3,800 people who should have been on this list before me and
you know since my success has depended wholly on putting things over on
people. So I'm not sure parents think I'm that great a role model anyway.
I am however an expert in pretending to be an expert in various areas, so
just randomly like everything else in this speech, I am or I was an expert in
kissing on stage and on screen. How did I prepare for this? Well most of my
preparation took place in my suburban high school or rather behind my
suburban high school in New Jersey. One is obliged to do great deal of
kissing in my line of work. Air kissing, ass-kissing, kissing up and of
course actual kissing, much like hookers, actors have to do it with people we
may not like or even know. We may have to do it with friends, which, believe
it or not is particularly awkward, for people of my generation, it's awkward.
My other areas of faux expertise, river rafting, miming the effects of
radiation poisoning, knowing which shoes go with which bag, coffee
plantation, Turkish, Polish, German, French, Italian, that's Iowa-Italian
from the bridges of Madison county, bit of the Bronx, Aramaic, Yiddish, Irish
clog dancing, cooking, singing, riding horses, knitting, playing the violin,
and simulating steamy sexual encounters, these are some of the areas in
which, I have pretended quite proficiently to be successful, or the other way
around. As have many women here, I'm sure.
Women, I feel I can say this authoritatively, especially at Barnard where
they can't hear us, what am I talking about? They professionally can't hear
us. Women are better at acting than men. Why? Because we have to be, if
successfully convincing someone bigger than you are of something he doesn't
know is a survival skill, this is how women have survived through the
millennia. Pretending is not just play. Pretending is imagined possibility.
Pretending or acting is a very valuable life skill and we all do it. All the
time, we don't want to be caught doing it but nevertheless it's part of the
adaptations of our species, we change who we are to fit the exigencies of our
time, and not just strategically, or to our own advantage, sometimes
sympathetically, without our even knowing it for the betterment of the whole
group.
I remember very clearly my own first conscious attempt at acting. I was six
placing my mother's half slip over my head in preparation to play the Virgin
Mary in our living room. As I swaddled my Betsy Wetsy doll I felt quieted,
holy, actually, and my transfigured face and very changed demeanor captured
on super-8 by my dad pulled my little brother Harry to play Joseph and Dana
too, a barnyard animal, into the trance. They were actually pulled into this
nativity scene by the intensity of my focus. In my usual technique for
getting them to do what I want, yelling at them would never ever have
achieved and I learned something on that day.
Later when I was nine, I remember taking my mother's eyebrow pencil and
carefully drawing lines all over my face, replicating the wrinkles that I had
memorized on the face of my grandmother whom I adored and made my mother take
my picture and I look at it now and of course, I look like myself now and my
grandmother then. But I do really remember in my bones, how it was possible
on that day to feel her age. I stooped, I felt weighted down but cheerful,
you know I felt like her.
Empathy is at the heart of the actor's art. And in high school, another form
of acting took hold of me. I wanted to learn how to be appealing. So I
studied the character I imagined I wanted to be that of the generically
pretty high school girl. I researched her deeply, that is to say shallowly,
in Vogue, in Seventeen, and in Mademoiselle Magazines. I tried to imitate her
hair, her lipstick, her lashes, the clothes of the lithesome, beautiful and
generically appealing high school girls that I saw in those pages. I ate an
apple a day, period. I peroxided my hair, ironed it straight. I demanded
brand name clothes, my mother shut me down on that one. But I did, I worked
harder on this characterization really than anyone I think I've ever done
since. I worked on my giggle, I lightened it. Because I like it when it went,
kind of "ehuh" and the end, "eheeh" "ehaeaahaha" because I thought it sounded
child like, and cute. This was all about appealing to boys and at the same
time being accepted by the girls, a very tricky negotiation.
Often success in one area precludes succeeding in the other. And along with
all my other exterior choices, I worked on my, what actors call, my interior
adjustment. I adjusted my natural temperament which tends to be slightly
bossy, a little opinionated, loud, a little loud, full of pronouncements and
high spirits, and I willfully cultivated softness, agreeableness, a breezy,
natural sort of sweetness, even shyness if you will, which was very, very,
very effective on the boys. But the girls didn't buy it. They didn't like me;
they sniffed it out, the acting. And they were probably right, but I was
committed, this was absolutely not a cynical exercise, this was a vestigial
survival courtship skill I was developing. And I reached a point senior year,
when my adjustment felt like me, I had actually convinced myself that I was
this person and she, me, pretty, talented, but not stuck-up. You know, a girl
who laughed a lot at every stupid thing every boy said and who lowered her
eyes at the right moment and deferred, who learned to defer when the boys
took over the conversation, I really remember this so clearly and I could
tell it was working, I was much less annoying to the guys than I had been,
they liked me better and I like that, this was conscious but it was at the
same time motivated and fully-felt this was real, real acting.
I got to Vassar which 43 years ago was a single-sex institution, like all the
colleges in what they call the Seven Sisters, the female Ivy League and I
made some quick but lifelong and challenging friends. And with their help
outside of any competition for boys my brain woke up. I got up and I got
outside myself and I found myself again. I didn't have to pretend, I could be
goofy, vehement, aggressive, and slovenly and open and funny and tough and my
friends let me. I didn't wash my hair for three weeks once. They accepted me
like the Velveteen Rabbit. I became real instead of an imagined stuffed bunny
but I stockpiled that character from high school and I breathed life into her
again some years later as Linda in the "Deer Hunter." There is probably not
one of you graduates who has ever seen this film but the "Deer Hunter" it won
best picture in 1978 Robert De Niro, Chris Walken, not funny at all. And I
played Linda, a small town girl in a working class background, a lovely,
quiet, hapless girl, who waited for the boy she loved to come back from the
war in Vietnam. Often men my age, President Clinton, by the way, when I met
him said, "Men my age, mention that character as their favorite of all the
women I've played." And I have my own secret understanding of why that is and
it confirms every decision I made in high school. This is not to denigrate
that girl by the way or the men who are drawn to her in anyway because she's
still part of me and I'm part of her. She wasn't acting but she was just
behaving in a way that cowed girls, submissive girls, beaten up girls with
very few ways out have behaved forever and still do in many worlds. Now, in a
measure of how much the world has changed the character most men mention as
their favorite is, Miranda Priestly.
Now as a measure of how the world has changed. The character most men mention
as their favorite. Miranda Priestly. The beleaguered totalitarian at the head
of Runway magazine in Devil Wears Prada. To my mind this represents such an
optimistic shift. They relate to Miranda. They wanted to date Linda. They
felt sorry for Linda but they feel like Miranda. They can relate to her
issues, the high standards she sets for herself and others. The thanklessness
of the leadership position. The "Nobody understands me" thing. The
loneliness. They stand outside one character and they pity her and they kind
of fall in love with her but they look through the eyes of this other
character. This is a huge deal because as people in the movie business know
the absolute hardest thing in the whole world is to persuade a straight male
audience to identify with a woman protagonist to feel themselves embodied by
her. This more than any other factor explains why we get the movies we get
and the paucity of the roles where women drive the film. It's much easier for
the female audience because we were all grown up brought up identifying with
male characters from Shakespeare to Salinger. We have less trouble following
Hamlet's dilemma viscerally or Romeo's or Tybalt or Huck Finn or Peter Pan --
I remember holding that sword up to Hook -- I felt like him. But it is much
much much harder for heterosexual boys to identify with Juliet or Desdemona,
Wendy in Peter Pan or Joe in Little Women or the Little Mermaid or
Pocohontas. why I don't know, but it just is. There has always been a
resistance to imaginatively assume a persona, if that persona is a she. But
things are changing now and it's in your generation we're seeing this. Men
are adapting... about time...they are adapting consciously and also without
consciously and without realizing it for the better of the whole group. They
are changing their deepest prejudices to regard as normal the things that
their fathers would have found very very difficult and their grandfathers
would have abhorred and the door to this emotional shift is empathy. As Jung
said, emotion is the chief source of becoming conscious. There can be no
transforming of lightness into dark of apathy into movement without emotion.
Or as Leonard Cohen says pay attention to the cracks because that's where the
light gets in. You, young women of Barnard have not had to squeeze yourself
into the corset of being cute or to muffle your opinions but you haven't left
campus yet. I'm just kidding. What you have had is the privilege of a very
specific education. You are people who may able to draw on a completely
different perspective to imagine a different possibility than women and men
who went to coed schools.
How this difference is going to serve you it's hard to quantify now, it may
take you forty years like it did me to analyze your advantage. But today is
about looking forward into a world where so-called women's issues, human
issues of gender inequality lie at the crux of global problems from poverty
to the AIDS crisis to the rise in violent fundamentalist juntas, human
trafficking and human rights abuses and you're going to have the opportunity
and the obligation, by virtue of your providence, to speed progress in all
those areas. And this is a place where the need is very great, the news is
too. This is your time and it feels normal to you but really there is no
normal. There's only change, and resistance to it and then more change.
Never before in the history or country have most of the advanced degrees been
awarded to women but now they are. Since the dawn of man, it's hardly more
than 100 years since we were even allowed into these buildings except to
clean them but soon most of law and medical degrees will probably also go to
women. Around the world, poor women now own property who used to be property
and according to Economist magazine, for the last two decades, the increase
of female employment in the rich world has been the main driving force of
growth. Those women have contributed more to global GDP growth than have
either new technology or the new giants India or china. Cracks in the
ceiling, cracks in the door, cracks in the Court and on the Senate floor.
You know, I gave a speech at Vassar 27 years ago. It was a really big hit.
Everyone loved it, really. Tom Brokaw said it was the very best commencement
speech he had ever heard and of course I believed this. And it was much
easier to construct than this one. It came out pretty easily because back
then I knew so much. I was a new mother, I had two academy awards and it was
all coming together so nicely. I was smart and I understood boiler plate and
what sounded good and because I had been on the squad in high school, earnest
full-throated cheerleading was my specialty so that's what I did but now, I
feel like I know about 1/16th of what that young woman knew. Things don't
seem as certain today. Now I'm 60, I have four adult children who are all
facing the same challenges you are. I'm more sanguine about all the things
that I still don't know and I'm still curious about.
What I do know about success, fame, celebrity that would fill another speech.
How it separates you from your friends, from reality, from proportion. Your
own sweet anonymity, a treasure you don't even know you have until it's gone.
How it makes things tough for your family and whether being famous matters
one bit, in the end, in the whole flux of time. I know I was invited here
because of that. How famous I am. I how many awards I've won and while I am I
am overweeningly proud of the work that, believe me, I did not do on my own.
I can assure that awards have very little bearing on my own personal
happiness. My own sense of well-being and purpose in the world. That comes
from studying the world feelingly, with empathy in my work. It comes from
staying alert and alive and involved in the lives of the people that I love
and the people in the wider world who need my help. No matter what you see me
or hear me saying when I'm on your TV holding a statuette spewing, that's
acting.
Being a celebrity has taught me to hide but being an actor has opened my soul.
Being here today has forced me to look around inside there for something
useful that I can share with you and I'm really grateful you gave me the
chance.
You know you don't have to be famous. You just have to make your mother and
father proud of you and you already have. Bravo to you. Congratulations.
--
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