[公告] 媒介文化新課綱
同上一篇
kelly也說他有修改一下(但是我也還不知道改在哪邊)
po給大家看，也可在硬碟內下載到
-----------大綱的分隔線--------
媒介文化專題
(Seminar on Media Culture)
Wednesday 9:00-12:00
胡綺珍 (Kelly Hu)
kellyhu13@ntnu.edu.tw
本課程將重心放在探討幾個引起熱烈討論的媒體現象與議題：
1. Reality TV(中譯為：實境節目) 的媒體文化: reality TV為逐漸普遍流行於歐美以及
全球各地（台灣也不例外），尤其受到廣大年輕人喜愛的多元化的電視格式。什麼是
reality TV？涵括那些不同的類型？其崛起於西方的歷史脈絡為何？reality TV如何與監
控機制接合？reality TV 想要宣稱與鼓吹怎樣的「真實」？reality TV如何與改造與新
自由主義的自我規範／監督產生關聯？它如何成為將普羅大眾成為名人的電視機器？
reality TV的觀眾是否成為免費勞動者以及被收編成迷經濟的一部份？
2. 媒體與性／別：女性主義、後女性主義（post-feminism）與男性特質的體現：現代都
會女性慾望怎樣的女性主義、新自由主義的工作與市場邏輯如何形塑現代女性的思考與實
踐？身體與性的自我想像／慾望的遮掩與流動如何跟政策與社會倫理規範結合？時尚、風
格與品味如何被包裝於其影像再現之中？現代年輕男性如何察覺與打造自己的身體與個人
氣質？
以上討論將引導學生進一部思考: 1.台灣或亞洲其他各國reality TV 的文化生產與消費
接收。2. 美國／澳洲為中心的reality TV大量出現在Discovery 頻道，而將之放在台灣
眾多頻道中意味著什麼？其如何跟全球在地接軌？3.台灣的有那些可以被歸類為實境節目
？其媒體機構的背景與在地文化脈絡為何？4.對於台灣媒體，有那些性／別議題鮮少人提
及，但是你發現值得探討的？5. 有哪些禁忌的性／身體議題是被遮掩或是汙名化的？6.
台灣是否也進入後女性主義時代，那些大眾媒體展現了後女性主義的實踐？7.男性氣質/
身體打造的商業化於台灣的脈絡下的發展為何？
課程要求與評分方式
1. 課堂出席率、遲到早退與參與討論的用心程度。若因故無法上課，請事先告知。若事
出突然臨時無法上課，也請電話通知所辦助理，請助理轉告。此外，若不時有遲到狀況將
影響期末成績。(15%)
2. 各修課者須針對每週閱讀材料做重點式摘要報告與回應（約1000字以內）。上課時須
針對閱讀想法提出問題或抒發感想，並接受其他同學提問
3. 課堂導讀分配回應（學期初分組）(15%)
＊因應閱讀資料，於課堂中負責提出妳/你所觀察到相關特定的現象或文本供課堂討論與
延伸思考，或補充說明背景資料。目的是希望同學能練習如何與課堂所指派的讀本對話，
並能觸類旁通，練習培養觀點，並建立批判的思考取向。課堂導讀同學須控制時間導讀，
導讀重點，提出閱讀意見想法，留空間／時間跟大家交流。課堂導讀小組也須負責問班上
其他修課者問題，並接受提問 (20 %)
4.期末報告︰發展你有興趣的研究主題，寫一篇期末報告，而此報告必須與課堂所教授過
的理論、概念或範圍相關 (6,000- 8,000 字)。(50%)
Week 1 (9/16) Introduction to the course
Reality TV: an introduction
Week 2
(9/23)
Hill, Annette (2005) “The Rise of Reality TV”, in Reality TV:
Audiences and Popular Factual Television, 14-40.
财 In class discussion: exploring Taiwanese local made reality TV programs
and reality TV programs imported from western countries and Japan.
Reality TV and surveillance
Week 3
(9/30)
1. Couldry, Nick (2003) “ ‘Live’ reality and the future of
surveillance”, Media Rituals: A Critical Approach, 95-114.
2. Jack Z. Bratich (2006) “ ‘Nothing Is Left Alone for Too Long’: Reality
programming and Control Society Subjects”, Journal of Communication Inquiry
30(1): 65-83.
Reality TV, celebrity, authenticity and unpaid labor
Week 4 & 5
(10/7, 10/14)
1. Holmes, Su (2004) “All you’ve got to worry about is the
task, having a cup of tea, and doing a bit of sunbathing”: approaching
celebrity in Big brother”, in Understanding Reality Television, 111-135.
2. Collins, Sue (2008) “Making the Most out of 15 Minutes: Reality TV's
Dispensable Celebrity” Television & New Media 9 (2): 87-110.
3. Hill, Annette (2005) “Performance and authenticity” in Reality TV:
Audiences and Popular Factual Television, 57-78.
4. Miaoju Jian and Chang-de Liu (2009) “ ‘Democratic entertainment’,
commodity and unpaid labor of reality TV: a preliminary analysis of China’s
Supergirl” Inter-Asia Cultural Studies, 10(4): 548-567
Reality TV and self-fashioning economy
Week 6
(10/21)
Ouellette, Laurie and Hay James (2008) “Makeover TV: Labors of
Reinvention”, Better Living Through Reality TV: Television and Post-welfare
Citizenship, 99-133.
Reality TV, interactivity, race, and the global format
Week 7 & 8
(10/28,11/4)
1. Hasinoff, Amy Adele (2008) “Fashioning Race for the Free
Market on America's Next Top Model” (2008) Critical Studies in Media
Communication 25(3): 324 – 343.
2. Jenkins, Henry (2006) “Buying into American Idol: How we are being sold
on reality television” in Convergence Culture: Where Old and New Media
Collide, 59-92.
3. McMurria, John (2008)“Global TV realities, international markets,
geopolitics, and the transcultural contexts of reality TV” in Reality TV:
Remaking Television Culture, 179-204.
Feminism, postfeminism and sexuality
Week
9 &10 &11
(11/11,11/18, 11/25)
1. McRobbie, Angela (2007) “Postfeminism and Popular
Culture: Bridget Jones and the new Gender Regime”, 21-39.
2. Hasinoff, Amy Adele (2009) “IT’S SOCIOBIOLOGY, HON! Genetic gender
determinism in Cosmopolitan Magazine”, Feminist Media Studies, 9(3): 267 –
283.
3. Dubrofsky, Rachel E. (2009) “Fallen Women in Reality TV : A pornography
of emotion”, Feminist Media Studies, 9(3) :353 – 368.
4. Allison, Anne (2000) “Public veilings and public surveillance: obscenity
laws and obscenity fantasies in Japan”, in Permitted and Prohibited Desires:
Mothers, Comics, and Censorship in Japan, 147-176.
The mid-term presentation
Week 12
(12/2) Class discussion on the final proposal (I)
Masculinity and media representation
Week
13 & 14 & 16
(12/9, 12/16, 12/23)
1. Darling-Wolf, Fabienne (2006) “The Men and Women of
non-no: Gender, Race, and Hybridity” in Two Japanese Magazines”, Critical
Studies in Media Communication 23(3): 81-199.
2. Feasey, Rebecca (2008) “Reality Television, ordinariness, exhibitionism,
and emotional intelligence”, in Masculinity and Popular Television,106-123.
3. Hollows, Joanne (2003) “Oliver's Twist: Leisure, Labour and Domestic
Masculinity in the Naked Chef”, International Journal of Cultural Studies
6(2): 229-248.
4. Miller, Laura (2006) “Male beauty work”, Beauty Up: Exploring
Contemporary Japanese Body Aesthetics, 125-158.
The week of discussion on the fieldwork
Week 16 (12/30)
In-class discussion: Talk about the process/the problem and
share the experiences which you’ve encountered during your fieldwork
The week of presentation
Week 17
(1/6)
Final paper presentation
Week 18 (1/13)
Final paper due.
參考書目
Allison, Anne (2000) Permitted and Prohibited Desires: Mothers, Comics, and
Censorship in Japan, University of California Press.
Bratich, Jack Z. (2006) “‘Nothing Is Left Alone for Too Long’: Reality
Programming and Control Society Subjects”, Journal of Communication Inquiry
30(1): 65-83.
Collins, Sue (2008) “Making the Most out of 15 Minutes: Reality TV's
Dispensable Celebrity”, Television & New Media, Vol. 9 (2): 87-110.
Couldry, Nick (2003) Media Rituals: A Critical Approach, Routledge.
Darling-Wolf, Fabienne (2006) “The Men and Women of non-no: Gender, Race,
and Hybridity” in Two Japanese Magazines”, Critical Studies in Media
Communication 23(3): 81-199.
Dubrofsky, Rachel E. (2009) “Fallen Women in Reality TV : A pornography of
emotion”, Feminist Media Studies, 9(3) :353 – 368.
Feasey, Rebecca (2008) Masculinity and Popular Television, Edinburgh
University Press.
Hasinoff, Amy Adele (2008) “Fashioning Race for the Free Market on America's
Next Top Model” (2008) Critical Studies in Media Communication 25(3): 324 –
343.
Hasinoff, Amy Adele (2009) “IT’S SOCIOBIOLOGY, HON! Genetic gender
determinism in Cosmopolitan Magazine”, Feminist Media Studies, 9(3): 267 –
283.
Hill, Annette (2005) Reality TV: Audiences and Popular Factual Television,
Routledge.
Hollows, Joanne (2003) “Oliver's Twist: Leisure, Labour and Domestic
Masculinity in the Naked Chef”, International Journal of Cultural Studies
6(2): 229-248.
Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup
of tea, and doing a bit of sunbathing”: approaching celebrity in Su Holmes,
Deborah Jermyn (eds.) Big brother”, in Understanding Reality Television,
111-135.
Jenkins, Henry (2006) Convergence Culture: Where Old and New Media Collide,
New York University Press.
Klinger, Babara (2006) Beyond the multiplex: cinema, new technologies and the
home, University of California Press.
McMurria, John (2008)“Global TV realities, international markets,
geopolitics, and the transcultural contexts of reality TV” in Susan Murry
and Laurie Ouellette (eds.) Reality TV: Remaking Television Culture, 179-204.
McRobbie, Angela (2007) “Postfeminism and Popular Culture: Bridget Jones and
the new Gender Regime”, 21-39.
Miller, Laura (2006) “Male beauty work”, Beauty Up: Exploring Contemporary
Japanese Body Aesthetics, University of California Press.
Ouellette, Laurie and Hay James (2008) Better Living Through Reality TV:
Television and Post-welfare Citizenship, Blackwell Publishing.
建議西文期刊︰Cultural studies, International Journal of Cultural Studies,
New Media & Society, Television& New Media, European Journal of Cultural
studies, Critical Studies in Mass Communication, The Journal of Communication
Inquiry, Inter-Asia Journal of Cultural studies
中文期刊︰新聞學、台灣社會研究季刊、文化研究
--
※ 發信站: 批踢踢實業坊(ptt.cc)
◆ From: 118.168.89.96