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Gerald Davies Senior Lecturer Current Teaching 正在幹啥 First year course Art 100: Fine Art, Practice and Theory, teaching studio practice elements, particularly drawing and sculpture. 一年級藝術理論與實行工作室元素尤其是畫畫跟雕塑 Second and third year Fine Art courses Art 260 & 360, teaching drawing and painting. 教畫畫跟上色 LICA MA supervising students using drawing, both traditionally and as an expanded practice alongside, for example, installation and animation. -- 蘭卡斯特大學有關現代藝術裝置藝術動畫 Lancaster Institute for the Contemporary Arts Master of Arts(文學碩士) Research Interests As a visual artist my research is conducted through my ongoing studio practice. Over the last decade topics, themes and forms have been recurrently focused on the investigation and articulation of social, spatial and contested environments. Projects have included Deluge Drawings and Flood Story each examining the effects of global consumption and environmental change andthier consequences. 視覺藝術家--調查表達社會空間有爭議的環境洪水畫畫? 洪水故事? 全球消費環境改變後果 A recently completed sequence of drawings is titled Crowds and Power, one of which: School, was exhibited in Drawing Distinctions, a survey of contemporary British drawing at Abbot Hall in Kendal and reproduced in the catalogue. 一連串的畫畫目錄 Crowds and Power refers to the book by the Bulgarian anthropologist and novelist Elias Canetti. Canetti's study, published in 1960, analyses the external forces, internal dynamics and behaviours of a range of crowd types from the riotous mob to fleeing innocents. My aim has been to visually reinterpret Canetti's text, particularly what he leaves out, namely descriptions of the spaces and places of institutional control. This alongside theories and images of spatial recovery and liberation from Debord, Lefebvre and Constant have contributed to a graphic language that mixes architectural drawings environmental spaces with crowds of figures. 保加利亞的人類學家和小說家elias canetti 他再1960發表了一大尋暴民和難民外力和內在思維和行為我目標是用畫面重新講述canetti的內容尤其是制度控制融合了建築、環境空間 School was reproduced in the Independent (16 May 2006), and in his review, Michael Grover commented 'Another wonderful evocation of atmosphere is a drawing by Gerry Davies, School. This is a curious scene, and again it is one glimpsed from above within a milky twilight. The school building with its pierced embrasures, is a rearing keep like presence, more prison than school, the children in the playground wraith like flashes of pale white, disembodied energy'. 銃眼(embrasure) Current projects include Caves, a body of drawings through which a variety of drawing languages are tested in the extreme environments encountered underground. Additional Information Exhibitions, Publications Solo Shows 2000 "Deluge of Human Indifference" Midlands Art Centre, Birmingham 1997 "Deluge Drawings" Peter Scott Gallery, Lancaster University, touring to East West Gallery, London and Mid Pennine Arts, Burnley 1993 "Recent Drawings" Contact Gallery, Norwich 1991 "Drawings and Prints" Krannert Centre, Purdue University, USA 1990 "One Hundred Monotypes" Beelke Gallery, Purdue University USA 1989 Vardy Foundation, Sunderland University 1988 Durham Museum and Art Gallery 1987 On the Wall Gallery, London 1985 Roger Francis Gallery, London Joint & group shows 2007 "Forest Journey" A group show curated by Robin Mason exploring the forest as a cultural theme. Etnograsfki Muzej Dubrovnik Croatia 4th - 20th September &Croatian AcademyofScienceand Art Zagreb September 25th - October 4th. Catalogue with texts. 2006/7&8 "Drawing Breath: A Selection to Mark Ten Years of the Jerwood Drawing Prize".Gallery Wimbledon College of Art, London, 7th - 21st September 2006. NationalAcademy Sydney, Australia, February & March 2007. Royal West of EnglandAcademy Bristol, January February 2008. Other venues may be added to the tour. 2006/7 "Inspiration to Order". A Lancaster University research project analyzing and documenting the creative process in fine art practice. University of Southern California at Stanislaus, USA & The Winchester Gallery,Winchester School of Art. November 29- December 15th & The Gallery, WimbledonSchool of Art, April 27th - May 25th. Reproduced in catalogue pp 21 & artist's statement ISBN 0977396770 2006 "Drawing Inspiration". A survey of contemporary British drawing Abbot Hall Museum and Art Gallery, Kendal, Cumbria. Reproduced in catalogue pp. 40. ISBN 192498267 2006 "Obsession". Curated by Robin Mason at Sartorial Art, 101a Kensington Church. October 13 - November 2nd Street, London. 2006 "40 Artists - 40 Drawings", The Drawing Gallery, St James's, London 2005/6 "Wales Drawing". A survey of Welsh drawing, peer selected by artist Catrin Websterand curator Eve Ropek Aberystwyth Arts Centre November 2nd - December 2nd & Wrexham Arts Center 28th Jan -11 March 06 Reproduced in catalogue pp 2 ISBN1872609988 2004 "New Northern Art", Radhusets Konstahall, Ornskoldsvick, Sweden "If You Go Down To The Woods Today" Rockwell Gallery, London "Discerning Eye", Mall Galleries, selector's invitation 2003 Commissioned to make new work for "Security Bytes" an internationalpolitics conference, LancasterUniversity 2002/3 "Wales Drawing Biennale". Reproduced in catalogue 2000 & 1 & 3 "Jerwood Drawing Prize". Reproduced in catalogues 1997 "A Cloudburst of Material Possessions" Purdy Hicks Gallery London,and touring nationally "The Hunting Art Prize" Royal College of Art & The Huntarian Glasgow "Discerning Eye" Mall Gallery, London 1996 National Drawing Competition, Cheltenham 1995 "Pastels", East West Gallery, London 1993 "Artists and Durham Cathedral and Castle", Durham Museum & Art Gallery 1991 "War" An exhibition of artist's limited edition books, Califa Books, San Francisco, USA Awards & Residencies 2004 AHRB Small Grant Award, to research contemporary artists' notebooks; successfully completed 1999 AHRB Research Leave Award, 9 months, to make drawings for M.A.C show; successfully completed 1990/91 Fulbright Scholarship, Visiting Artist, Purdue University, USA Awarded Creative Arts Scholarship, Purdue University 1987/88 Artist in Residence at Durham Cathedral 1985 Study period at The RCA Venice Studio 1984 The John Minton Prize for Figurative Painting 1983 Royal College of Art scholarship to the International Cite des Arts, Paris 1981 The Royal College of Art Drawing Prize Research Funding AHRC Small Grant Award ￡4.900 AHRB Research Leave Award ￡ 9.000 Lancaster University research committee ￡1.200 Fulbright Scholarship $8.000 Purdue Scholarship $1.000 Durham Cathedral ￡10.000 Public Collections Sheffield Education Authority, UK Purdue University USA Victoria & Albert Museum, London Bibliography P Thomas & A Taylor, Drawing Foundation Course. A Deluge of Human Indifference, reproduced pp.42 Cassell Illustrated 2003 ISBN 1844030849 Current Projects Solo 'Flood Story', a new sequence of drawings and sculptural objects on the theme of flight and forced emigration in the face of natural or political catastrophe 'Artist's Notebooks', a survey of the use and value of a range of contemporary British artists sketchbooks; currently pursuing second stage of project toward exhibition and publication 'Cave', a project taking drawing underground to record non visual phenomena alongside the visual; the project is embryonic and speculative. Background Gerry Davies studied sculpture at Wolverhampton University and did his MA in the painting school of the Royal College of Art. After graduation, he spent a year as artist in residence at Durham Cathedral after which he was awarded a Fulbright Scholarship for further study at Purdue University in the U.S. Throughout his training drawing was the core activity. In1995 he was appointed Lecturer in Drawing at Lancaster University, where he runs the first year courses and contributes to teaching on second and third year Fine Art Studio Practice courses and the LICA MA. Together with Professors Nigel Whiteley and Emma Rose, Gerry is a founder member of the Visual Intelligences (V.I.) research project. V.I. is a collaborative and multi disciplinary project that seeks to investigate and better understand the relationships between an artist's material and technological processes, skills, knowledge and aims and intentions. The project, funded by Lancaster University, the AHRC and HEFCE, has produced national and international outcomes in the form of exhibitions, conferences and publications. PhD Supervision Interests Gerry currently supervises three practice based PhD students specialising in drawing: Sarah Casey developing a practice based methodology integrating procedures from medicine and conservation sciences into a drawing practice investigating notions of delicacy and preservation. Neil Hodgson using drawing to document and transcribe improvised and ad-hoc structures (sheds, lock-ups, pigeon coops) found in marginal environments at, or beyond, the 'pale' of cities. Osman Ahmed who, using drawing, interviews and fieldwork, seeks to catalogue and communicate experiences of fear, flight and displacement among Iraqi Kurds. These research students, along with others in the faculty and beyond, form the basis of a research group, provisionally titled Drawing's Mobility. All are working at drawing's cutting edge asking questions of 'where can drawing go?' and, to quote Sarah Casey, 'what can drawing do?' PhD enquires and proposal are welcome, particularly those on drawing and the environment, socially engaged practice, notebook practices and drawing applied in interdisciplinary environments. -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 140.136.11.75 ※ 文章網址: https://www.ptt.cc/bbs/GambleGhost/M.1556700303.A.9B9.html

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